Sunday, June 5, 2011

Anglo-Australian culture and mimesis

"You can tell a lot about a culture in the way they rhapsodize about their horses" - a corruption of a Mahatma Gandhi meat is murder quote.

There was movement at the station as the news had got around that the cold from Old Regret had got away...

The Man from Snowy River, The Song of Roland, Don Quixote, Equus, ...

and then there are the cultures that don't have horses.

Horses for courses. - In Anglo-Australian culture, the pasts of racism, the Black History, Empires of Eternal Sun, there are places of mass murder - and fair enough, they happen everywhere in colonisation, when they become part of the curriculum or of a nation's culture. I wonder if later high school they teach Australian History of Colonial Wars and Massacres. The mirror back is not nice, and thus the general anti-intellectualism of Anglo Australia. But they Anglo-Australia can tell a joke and mimick. I would celebrate this, the rough, and politically incorrect comedy of Rodney Rude and Kevin "Bloody" Wilson. If you turn the volume down, you hear nothing.

Come Fly With Me from the Little Britain comedians, has a skit with a racist Airport Internal Security Officer, questioning a new staff member of an airport shop.

"Where were you born? Pakistan??"
"No, Birmingham!"
"What about your parents??"
"Um Birmingham"
"Okay, your grandparents?"
"Yeah, Pakistan"
"So, if England played Pakistan in the cricket, who would you support?"
"I don't follow cricket, I like Wrestling!"

and the satirised contemporary security interrogation is scuttled and funny. It is mimesis - satirising racist mimickry and being self-reflective about it. This self-reflection is an ethical admission and that's why politically correct English can handle this comedy. - It is a re-embodied mimickry and will be Benny Hill in 10 years. Maybe why Benny Hill was loved by the French after leaving the UK might be something for you to consider.




Non-English listening Pakistani immigrants would just see interrogation. Potentially confusing, no? Present this surface reading to the self-reflective chortling socialist, they may worry and get the guilts again. Any comedy where you can turn they volume off and not see ostracisation is politically correct. The three stooges though are guys from the same culture - volume on or off, it's the same thing really. It's an artless physical humour working off schadenfreud. Schadenfreud and the goat - the best schadenfreud is when the misfortunate other is a cause of great misfortune themselves aka poetic justice - as if Hitler were the scapegoat. Michael Palin rhapsodized over Chile and Argentina for a reason.....he learnt the secret bound by death. He would have been killed on the spot but for his continuing global humanitarian services to the humours.


The white Australian comedy of mimickry as opposed to mimesis, is swell of Anglo-Australian culture. There is no groundswell though, unless if Anglo Australian culture is the culture of prison. A culture of dismissing, not the herd mentality of mimesis, but the undomesticated brumby packs of mimickry. In European modernity, mimesis is cautious of herd-mentality. Mimickry is environmental, not individual, the coo-ee needs the response. If you don't fit in easily, learn mimickry, respect the Austrlian accent, which is so culturally and internationally fragile in a global politics which works on sophisticated mimetic exchange. Anglo-Australians who realise that power in politics or culture where mimesis is the lingua franca - have got to come across  to a wild mimesis. Mimickry is funny and scapegoating. Watch the goats, they can consume anything, live in all lands. It is an ordinariness of living.

Sometimes cunts can be like this.



Mimesis is political and can be shot up, shot across, or shot down.

Mimickry is the kookaburra, is Rodney Rude's theory of how Vietnamese names came around. The Cronulla Riots was a cultural groundswell and is part of the mutation of Australian Multiculture as the ground.

Assimilation assumes one culture and conforming to this. Conforming to National Laws though I have no issue with.

Multiculturalism is damned. Multiculturalism is totally fucked. That is why it's the best, because it reflects what Australia has been since the end of World War II. Love the fuckedness. I speak as a wog though. The aboriginal people will have their own writing on this and I appreciate their general talk of connectedness to everything. It is what the West can't do, from the universal to the particular -- it's a worry for the gubbas. How aboriginal peoples engaged with the arrival of domesticated horses I would love to know.

Social Worker talk of "mainstreaming" gave Governments and institution a kudos of contemporary discourse which is in no way deserved or accurate, at all.

Fuck the social worker acronyms - CALD - Culturally and Linguistic Diverse. It's a funny and inappropriate word - because using only two terms as the focus of diversity in society is a malapropism. They are keeping their eyes on social diversity - all two of them.

Mimickry is earthly and earthy. Mimesis is earthly and domesticated. Come clean white feller, on the global political stage there are much smaller and less resource rich third world countries that have more political clout than Australia. Barry Humphries was good enough to coin a cultural cringe. In the Australian culture, there are many types of this. Thissy here is a fringe cringe.

Sydney is the greatest city in the World - Oprah 2010.

Wait for the horses to trample - horses for flat courses, brumbies for mountains

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